Tag: r.e.m.

Matchbox Twenty – Yourself Or Someone Like You

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“And I said baby … it’s 3 a.m., I must be lonely.” If you were anywhere within earshot of a radio or MTV in the mid-to-late 1990s, that little slice of earworm was no doubt getting stuck in your head. The culprits? Rob Thomas and his band mates in Matchbox Twenty, whose debut album, “Yourself or Someone Like You,” took pop radio by storm. Hits like the aforementioned “3AM,” “Push,” “Real World” and more pushed the sales of this album upwards of MILLIONS of copies. (It sold just over 600 copies in its first week; today, it has sold more than 15 million.) And while the songs (and the band) may get dissed nowadays for being too vanilla, you can’t deny the pop sensibilities  of  Thomas, who not only as a golden voice, but also a golden ear for hit-making music. (As we would, unfortunately, find out when he gets introduced to one Carlos Santana.) Is “Yourself” a classic album? Depends on your definition of “classic.” But you can’t deny that many of these songs are just so damn catchy. And isn’t that sometimes good enough?

 

You can listen to Yourself Or Someone Like You by Matchbox Twenty on iTunes, Spotify, Tidal, YouTube, and Amazon. 

 

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Midnight Oil – Blue Sky Mining

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Midnight Oil burst onto the TV screens all over America in 1987 with the videos to “Beds Are Burning” and “The Dead Heart.” It was like they were from another world. Well, they kinda were. They were from the other side of the world, at least: Australia. But their follow-up album, 1990’s “Blue Sky Mining,” proved the Oils were more than just a one- (or two-)hit wonder, or just a vehicle to showcase the frenetic dancing of the tall, lanky, and bald lead singer Peter Garrett. “Blue Sky Mining” brought a rich album across the oceans, an album full of Oils topics du jour: the environment, overdevelopment, the plight of indigenous people, and so on.  “There are people who do it really well,” R.E.M. singer Michael Stipe once said about artists who sing about politics. Garrett was one of them, with Stipe calling him “brilliant.” “Blue Sky Mining” is brilliant in its own right with Midnight Oil creating anthemic, rocking sing-alongs that just so happen to be about asbestos mining, war, or killing the earth.

You can listen to Blue Sky Mining by Midnight Oil on iTunes, Spotify, YouTube, and Amazon. 

 

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Underrated Albums: Roman Candle, Queen Sarah Saturday

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On our first “Underrated Albums” epipod, we’re sharing two albums that are scandalously under-appreciated. This is the opposite of the pretentious indie rocker touting an album no one would understand even if they could find it. These are albums we’re  dying for the world to hear. For whatever reason, these gems didn’t make it into everyone’s CD catalog or playlist, but it’s never too late. 

References in this Epipod:

You can buy Oh Tall Tree In The Ear by Roman candle online at Bandcamp, or listen to Queen Sarah Saturday on iTunes, Spotify, YouTube, and Amazon. You can listen to Roman Candle on those platforms as well, but just go buy it. 

 

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Counting Crows – August and Everything After

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“We all wanna be Bob Dylan.”  In the midst of grunge and new punk, Adam Duritz and Co. were a throwback, not just to folk/pop music, but to the singer-songwriter era. Duritz’s poetic narratives offered a deep look into his soul and psyche, to his desire for belonging and fame. He would get at least the latter thanks to beautiful, pop hits like “Round Here,” “Rain King” and, of course, “Mr. Jones, which remains a radio staple. But the album, “August and Everything After” is a complete piece, often overlooked as a whole due to the momentous success of radio hits. “We all wanna be big stars, yeah, but we got different reasons for that.”

References in this Epipod:

You can buy or stream August and Everything After by Counting Crows online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Police – Synchronicity

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Looking back now, it’s easy to think that from 1983 and for the next couple of years, Michael Jackson singularly ruled the music world. But to think that would disrespect The Police and how massive their fifth album, “Synchronicity” was. And looking back now — with almost 40 years(!) to reflect — it’s even more remarkable what a juggernaut Sting, Stewart Copeland, and Andy Summers produced. Think about it: It’s an album whose title is based on the writing of Arthur Koestler (sure) with songs referencing domestic troubles (ok), the atomic bomb (sure, but everyone was), the Loch Ness Monster (huh?), obsession and stalking (creepy!), divorce (who hasn’t?), and, um, mother issues (yeesh). But it also includes the most famous non-love love song ever, “Every Breath You Take,” which ruled the airwaves on both sides of the Atlantic and accounts by itself for one-fourth of Sting’s income. The fact that the band broke up after this one just adds to the mystic.

References in this Epipod:

You can buy or stream Synchronicity by The Police online at iTunes, Spotify, YouTube, and Amazon. 

 

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Ben Folds Five – self-titled album

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One of the most unique and also most successful fans to come out of the Research Triangle area of North Carolina in the early- to-mid-1990s was Ben Folds Five. Led by Ben Folds, this three-piece (yes, just three of them) crafted clever, cynical jabs at mainstream society — as well as at themselves. But the songs were beautiful, catchy and well crafted, and were pulled from pop, punk, jazz and even classical music. They would find major success on their next album (and Folds would go on to a stellar critical and commercial solo career) but their debut offers us a glimpse at their wild and free beginning. 

References in this Epipod:

You can buy or stream the debut album by Ben Folds Five online at iTunes, Spotify, YouTube, and Amazon. 

 

Nirvana – Nevermind

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Very few musical “events” transform the pop music landscape – and pop culture – overnight. But Nirvana’s “Nevermind” absolutely did just that. Coming seemingly out of the blue (but really from the Pacific Northwest), Nirvana gave power to the disillusioned children of the ‘80s, the latchkey kids and wannabe punks who were just searching for authenticity. In the blink of an eye, the hair metal, glam and slick production of the late-1980s and early-‘90s became silly and passe’. Cardigans, corduroys and dirty hair was where it was at. But it wasn’t just a look. Oh no. “Smells Like Teen Spirit” remains an anthem of the disenfranchised. “Come As You Are,” “In Bloom” and “Lithium” became alt-rock and mainstream radio standards. And they still are. And that was just essentially side 1 of “Nevermind,” an album of noise and beauty, anger and sadness, and irony and truth. All of those things made up Nirvana.

References in this Epipod:

You can buy or stream Nevermind by Nirvana online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Black Crowes – Shake Your Money Maker

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With a rock and soul sound reminiscent of the Stones, the Black Crowes are timeless. But when they broke — and BIG — in 1991, they occupied a space and time all of their own. “Shake Your Moneymaker” is Southern rock mixed with 60s soul at its best. Chris Robinson’s anguished vocals and brother Rich Robinson’s songmaking abilities resulted in a slew of hits like “Hard to Handle, “Jealous Again” and “She Talks to Angels.” It’s a sound that works in 1961, 1991 and even (almost) 2021.

References in this Epipod:

You can buy or stream Shake Your Money Maker by The Black Crowes  online at iTunes, Spotify, YouTube, and Amazon. 

 

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R.E.M. – Green, Part Two

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For cynics and critics, “Green” was supposed to be the beginning of the end for R.E.M. After all, the Athens, Ga., band had culled a following throughout the country by essentially touring nonstop and bringing their DIY ethos to college radio — a medium they practically helped create. “Green” was their first album with Warner Bros. Records — and their deal with WB was (at the time) the most lucrative recording contract in US history. But most important to Berry/Buck/Mills/Stipe was the freedom and artistic control it provided. “Green” reflects a band at its artistic and creative zenith. It was commercially successful thanks to songs (and videos for) “Stand” and “Pop Song ’89,” but it was still weird enough and full of “R.E.M.-iness” to placate even their most devoted fans. It was also a bridge album between the jangle pop of the early days and the lushness of what was to come.

References in this Epipod:

You can buy or stream Green by R.E.M. online at iTunes, Spotify, YouTube, and Amazon. 

 

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R.E.M. – Green, part one

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For cynics and critics, “Green” was supposed to be the beginning of the end for R.E.M. After all, the Athens, Ga., band had culled a following throughout the country by essentially touring nonstop and bringing their DIY ethos to college radio — a medium they practically helped create. “Green” was their first album with Warner Bros. Records — and their deal with WB was (at the time) the most lucrative recording contract in US history. But most important to Berry/Buck/Mills/Stipe was the freedom and artistic control it provided. “Green” reflects a band at its artistic and creative zenith. It was commercially successful thanks to songs (and videos for) “Stand” and “Pop Song ’89,” but it was still weird enough and full of “R.E.M.-iness” to placate even their most devoted fans. It was also a bridge album between the jangle pop of the early days and the lushness of what was to come.

References in this Epipod:

You can buy or stream Green by R.E.M. online at iTunes, Spotify, YouTube, and Amazon. 

 

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Drivin N Cryin – Mystery Road

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There’s a very good chance that if you’ve set foot in a random bar in the South over the last 25 years, you’ve heard the song “Straight to Hell.” This song has all the makings of a prototypical country song: twang; heartache; self-loathing; a catchy, singable chorus to raise a beer to. But it’s a song about a latchkey kid with a somewhat loose, disinterested mother. The song, off Drivin’ N Cryin’s 1989 “Mystery Road” album, gives you a great glimpse of the mystery that is the Georgia band: you probably know the song, but you probably didn’t know it was by them. “Mystery Road” itself is full of contradictions. There are bluesy songs. There are southern rock anthems (“Honeysuckle Blue”). There are hair metal songs. There are protest songs (“With the People”). There are bluegrass songs (“Ain’t It Strange”). At the heart of all of them are Kevn Kinney’s heartfelt and voice-cracking lyrics that make you wanna hug the nearest person. Drivin’ N Cryin’ would reach a larger audience with their follow up “Fly Me Courageous” album, but this is the one that shows the breadth of their heart and talent.

References in this Epipod:

You can buy or stream Mystery Road by Drivin’ n’ Cryin’ online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Connells – Fun & Games

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Before they reached international stardom thanks to the song “’74-’75,” The Connells were something of a regional favorite to music fans along the Eastern seaboard. Man, could they pack a house. The band composed some of the most pop-centered, unforgettable, singalong songs of the late-’80s and ’90s — ANYWHERE. It also didn’t hurt that they came across — even on stage — as just normal dudes. They even looked the part. Nowhere was this devotion to catchy melodies more emphasized than on their third album, “Fun & Games.”  Mention The Connells today to someone of a certain age in Virginia or the Carolinas, and there’s a very good chance this is the album that comes to mind. You can still see the album cover on t-shirts to this day. If that’s not lasting power, we don’t know what is.

References in this Epipod:

You can buy or stream Fun & Games by The Connells online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Avett Brothers – I And Love And You

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“We are headed north.”
It’s all right there in the first verse of the first song of the first major label album by the Avett Brothers. This band of foot-stomping, string-breaking renegades from Concord, NC, were moving on up — creatively, artistically and, yes, commercially. But “I and Love and You” is not a sell-out album. It’s a growth album. All the emotionalism is still there; but the boys — Seth & Scott Avett, Bob Crawford and Joe Kwon — are maturing, and asking their fans to mature with them with “I&L&Y.” This beautifully-crafted and produced album — Rick Rubin is to thank for that — is a statement album. As they sing on “Head Full of Doubt/Road Full of Promise”: “Decide what to be and go be it.”  With “I and Love and You,” the Avett Brothers did just that.

References in this Epipod:

You can buy or stream I And Love And You by The Avett Brothers online at iTunes, Spotify, YouTube, and Amazon. 

 

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Radiohead – The Bends

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You couldn’t get away from Radiohead’s radio hit “Creep” when it was released on the world in 1992-93. Not even the band could escape the clutches of such a megahit. So they did what any self-respecting band – a band inspired by the DIY ethos the likes of R.E.M. – would do with their next album, which was released in 1995. “The Bends,” the follow-up to “Pablo Honey,” is a tour de force album that 25 years later holds up as perhaps one of the most complete and wonderful albums of all time. The guitar virtuosity of Jonny Greenwood is complemented by the paranoid vocals of Thom Yorke. Oh, and the rest of the band is pretty freaking incredible, too. If people came listening for the next “Creep,” they were sorely mistaken. And thank God for that.

References in this Epipod:

You can buy or stream The Bends by Radiohead online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Beatles – Rubber Soul

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When The Beatles returned to Abbey Road to record their sixth album, they were exhausted from constant touring and releasing at a pace of two albums a year. They also had virtually no songs prepared. But when it was completed, their sixth album was Rubber Soul, arguably the first actual album, not just a collection of songs. This was the turning point; it’s the album that bridges the British Invasion Beatles to Revolver and Sgt. Pepper. It’s the album that turned the music world on its rear, forcing the band’s rivals and contemporaries like the Beach Boys and Rolling Stones to step up their games.  In essence, with Rubber Soul, the Beatles were just getting started.

References in this Epipod:

You can buy or stream Rubber Soul by the Beatles online at iTunes, Spotify, YouTube, and Amazon. 

 

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Live – Throwing Copper

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How does a band reach the pinnacle of both commercial and critical success, dominate the airwaves for a handful of years, only to disintegrate into the ether? That’s probably the question that has haunted the members of Līve for two decades now. The band’s second major album, “Throwing Copper,” was omnipresent on both pop and alternative radio. The video for “Lightning Crashes” was an MTV staple. And then? Poof! After some 8 million albums sold (and a couple of moderately successful follow-ups), they were seemingly gone from the radar. (It could have to do with the fact that in this Google/SEO world, the name “Līve” does not render easily on search engines. Shoulda thought that through, boys!) It’s a shame, really. “Throwing Copper” is everything good about quintessential 90s rock, highlighted by singer Ed Kowalczyk’s mystical/nebulous lyrics.

References in this Epipod:

You can buy or stream Throwing Copper by Live online at iTunes, Spotify, YouTube, and Amazon. 

 

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The Smiths – Strangeways, Here We Come

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It would be the album that would break up The Smiths, but not before encapsulating all that was SO … Smiths about them. “Strangeways, Here We Come” combines the brilliance of Johnny Marr and the poetic, charming violence of Morrissey into a final testament of one of the most influential — if short-lived — bands of all time. 

References in this Epipod:

You can buy or stream Strangeways, Here We Come by The Smiths online at iTunes, Spotify, YouTube, and Amazon. 

 

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Dillon Fence – Rosemary

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Hailed as “the grandchildren of the Beach Boys” by one reviewer, this soulful Chapel Hill band was also able to do rock, funk, and blues with impeccable harmonies. The band’s first full-length album, “Rosemary,” brought them incredible acclaim — if mostly on a regional level. But for a while there, they were the headliners while a lesser-known band from Columbia, S.C., was the opener. (Hint: it was Hootie.) “Rosemary” remains a delightful work of art that illustrates why North Carolina’s music scene has always been among the best in the land. And it clearly has lasting power, even if the band itself did not.

References in this Epipod:

You can buy or stream Rosemary by Dillon Fence online at iTunes, Spotify, YouTube, and Amazon. 

 

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Elbow – Seldom Seen Kid

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It’s frankly one of the great mysteries in music: Why isn’t the English band Elbow more popular in the United States? After all, this band of longtime friends has produced some of the most captivating sounds and albums for more than two decades. Their 2008 album, “The Seldom Seen Kid,” even won the Mercury Prize for best album in the UK – topping giants such as Radiohead, Adele, and Robert Plant & Alison Krauss. Singer Guy Garvey’s poetic longing is fully embraced by the sonic backing of the rest of Elbow, resulting in anthemic and haunting masterpieces such as “Starlings” and “One Day Like This,” while also featuring grooves like “Grounds for Divorce,” “The Loneliness of a Tower Crane Driver” and so much more.

References in this Epipod:

You can buy or stream The Seldom Seen Kid by Elbow online at iTunes, Spotify, YouTube, and Amazon.

 

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R.E.M. – Automatic for the People

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Welcome to Finest Worksongs! What better way to begin a podcast about great albums than by reviewing this masterpiece by our favorite band? 

References in this Epipod:

 

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