Underrated Albums: Roman Candle, Queen Sarah Saturday

Posted on September 7, 2021September 7, 2021 by Finest Worksongs

On our first “Underrated Albums” epipod, we’re sharing two albums that are scandalously under-appreciated. This is the opposite of the pretentious indie rocker touting an album no one would understand even if they could find it. These are albums we’re dying for the world to hear. For whatever reason, these gems didn’t make it into everyone’s CD catalog or playlist, but it’s never too late.

References in this Epipod:

Blues Hammer
Oh Tall Tree In The Ear

You can buy Oh Tall Tree In The Ear by Roman candle online at Bandcamp, or listen to Queen Sarah Saturday on iTunes, Spotify, YouTube, and Amazon. You can listen to Roman Candle on those platforms as well, but just go buy it.

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Counting Crows – August and Everything After

Posted on August 26, 2021 by Finest Worksongs

“We all wanna be Bob Dylan.” In the midst of grunge and new punk, Adam Duritz and Co. were a throwback, not just to folk/pop music, but to the singer-songwriter era. Duritz’s poetic narratives offered a deep look into his soul and psyche, to his desire for belonging and fame. He would get at least the latter thanks to beautiful, pop hits like “Round Here,” “Rain King” and, of course, “Mr. Jones, which remains a radio staple. But the album, “August and Everything After” is a complete piece, often overlooked as a whole due to the momentous success of radio hits. “We all wanna be big stars, yeah, but we got different reasons for that.”

References in this Epipod:

Matt’s Memory

You can buy or stream August and Everything After by Counting Crows online at iTunes, Spotify, YouTube, and Amazon.

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The Police – Synchronicity

Posted on May 3, 2021 by Finest Worksongs

Looking back now, it’s easy to think that from 1983 and for the next couple of years, Michael Jackson singularly ruled the music world. But to think that would disrespect The Police and how massive their fifth album, “Synchronicity” was. And looking back now — with almost 40 years(!) to reflect — it’s even more remarkable what a juggernaut Sting, Stewart Copeland, and Andy Summers produced. Think about it: It’s an album whose title is based on the writing of Arthur Koestler (sure) with songs referencing domestic troubles (ok), the atomic bomb (sure, but everyone was), the Loch Ness Monster (huh?), obsession and stalking (creepy!), divorce (who hasn’t?), and, um, mother issues (yeesh). But it also includes the most famous non-love love song ever, “Every Breath You Take,” which ruled the airwaves on both sides of the Atlantic and accounts by itself for one-fourth of Sting’s income. The fact that the band broke up after this one just adds to the mystic.

References in this Epipod:

Matt’s Memory
The Police trapped in a dystopian wasteland

You can buy or stream Synchronicity by The Police online at iTunes, Spotify, YouTube, and Amazon.

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R.E.M. – Green, Part Two

Posted on October 27, 2020November 17, 2020 by Finest Worksongs

For cynics and critics, “Green” was supposed to be the beginning of the end for R.E.M. After all, the Athens, Ga., band had culled a following throughout the country by essentially touring nonstop and bringing their DIY ethos to college radio — a medium they practically helped create. “Green” was their first album with Warner Bros. Records — and their deal with WB was (at the time) the most lucrative recording contract in US history. But most important to Berry/Buck/Mills/Stipe was the freedom and artistic control it provided. “Green” reflects a band at its artistic and creative zenith. It was commercially successful thanks to songs (and videos for) “Stand” and “Pop Song ’89,” but it was still weird enough and full of “R.E.M.-iness” to placate even their most devoted fans. It was also a bridge album between the jangle pop of the early days and the lushness of what was to come.

References in this Epipod:

Red Dawn
Alf

You can buy or stream Green by R.E.M. online at iTunes, Spotify, YouTube, and Amazon.

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R.E.M. – Green, part one

Posted on October 20, 2020October 20, 2020 by Finest Worksongs

References in this Epipod:

Matt’s Memory

You can buy or stream Green by R.E.M. online at iTunes, Spotify, YouTube, and Amazon.

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Drivin N Cryin – Mystery Road

Posted on October 13, 2020October 14, 2020 by Finest Worksongs

There’s a very good chance that if you’ve set foot in a random bar in the South over the last 25 years, you’ve heard the song “Straight to Hell.” This song has all the makings of a prototypical country song: twang; heartache; self-loathing; a catchy, singable chorus to raise a beer to. But it’s a song about a latchkey kid with a somewhat loose, disinterested mother. The song, off Drivin’ N Cryin’s 1989 “Mystery Road” album, gives you a great glimpse of the mystery that is the Georgia band: you probably know the song, but you probably didn’t know it was by them. “Mystery Road” itself is full of contradictions. There are bluesy songs. There are southern rock anthems (“Honeysuckle Blue”). There are hair metal songs. There are protest songs (“With the People”). There are bluegrass songs (“Ain’t It Strange”). At the heart of all of them are Kevn Kinney’s heartfelt and voice-cracking lyrics that make you wanna hug the nearest person. Drivin’ N Cryin’ would reach a larger audience with their follow up “Fly Me Courageous” album, but this is the one that shows the breadth of their heart and talent.

References in this Epipod:

Matt’s Memory
O‘Neil Lore

You can buy or stream Mystery Road by Drivin’ n’ Cryin’ online at iTunes, Spotify, YouTube, and Amazon.

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The Connells – Fun & Games

Posted on September 8, 2020September 8, 2020 by Finest Worksongs

Before they reached international stardom thanks to the song “’74-’75,” The Connells were something of a regional favorite to music fans along the Eastern seaboard. Man, could they pack a house. The band composed some of the most pop-centered, unforgettable, singalong songs of the late-’80s and ’90s — ANYWHERE. It also didn’t hurt that they came across — even on stage — as just normal dudes. They even looked the part. Nowhere was this devotion to catchy melodies more emphasized than on their third album, “Fun & Games.” Mention The Connells today to someone of a certain age in Virginia or the Carolinas, and there’s a very good chance this is the album that comes to mind. You can still see the album cover on t-shirts to this day. If that’s not lasting power, we don’t know what is.

References in this Epipod:

You can buy or stream Fun & Games by The Connells online at iTunes, Spotify, YouTube, and Amazon.

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Live – Throwing Copper

Posted on April 17, 2020 by Finest Worksongs

How does a band reach the pinnacle of both commercial and critical success, dominate the airwaves for a handful of years, only to disintegrate into the ether? That’s probably the question that has haunted the members of Līve for two decades now. The band’s second major album, “Throwing Copper,” was omnipresent on both pop and alternative radio. The video for “Lightning Crashes” was an MTV staple. And then? Poof! After some 8 million albums sold (and a couple of moderately successful follow-ups), they were seemingly gone from the radar. (It could have to do with the fact that in this Google/SEO world, the name “Līve” does not render easily on search engines. Shoulda thought that through, boys!) It’s a shame, really. “Throwing Copper” is everything good about quintessential 90s rock, highlighted by singer Ed Kowalczyk’s mystical/nebulous lyrics.

References in this Epipod:

Matt’s Memory

You can buy or stream Throwing Copper by Live online at iTunes, Spotify, YouTube, and Amazon.

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The Smiths – Strangeways, Here We Come

Posted on March 24, 2020March 24, 2020 by Finest Worksongs

It would be the album that would break up The Smiths, but not before encapsulating all that was SO … Smiths about them. “Strangeways, Here We Come” combines the brilliance of Johnny Marr and the poetic, charming violence of Morrissey into a final testament of one of the most influential — if short-lived — bands of all time.

References in this Epipod:

You can buy or stream Strangeways, Here We Come by The Smiths online at iTunes, Spotify, YouTube, and Amazon.

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Dillon Fence – Rosemary

Posted on February 25, 2020 by Finest Worksongs

Hailed as “the grandchildren of the Beach Boys” by one reviewer, this soulful Chapel Hill band was also able to do rock, funk, and blues with impeccable harmonies. The band’s first full-length album, “Rosemary,” brought them incredible acclaim — if mostly on a regional level. But for a while there, they were the headliners while a lesser-known band from Columbia, S.C., was the opener. (Hint: it was Hootie.) “Rosemary” remains a delightful work of art that illustrates why North Carolina’s music scene has always been among the best in the land. And it clearly has lasting power, even if the band itself did not.

References in this Epipod:

You can buy or stream Rosemary by Dillon Fence online at iTunes, Spotify, YouTube, and Amazon.

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Elbow – Seldom Seen Kid

Posted on November 18, 2019October 14, 2020 by Finest Worksongs

It’s frankly one of the great mysteries in music: Why isn’t the English band Elbow more popular in the United States? After all, this band of longtime friends has produced some of the most captivating sounds and albums for more than two decades. Their 2008 album, “The Seldom Seen Kid,” even won the Mercury Prize for best album in the UK – topping giants such as Radiohead, Adele, and Robert Plant & Alison Krauss. Singer Guy Garvey’s poetic longing is fully embraced by the sonic backing of the rest of Elbow, resulting in anthemic and haunting masterpieces such as “Starlings” and “One Day Like This,” while also featuring grooves like “Grounds for Divorce,” “The Loneliness of a Tower Crane Driver” and so much more.