Few artists have enjoyed a resurgence in appreciation over the past decade like Dolly Parton. But in the 1970s, she fought against the perception that she was just a sidekick to Porter Wagoner … or just a pretty face. It also goes without saying that a lot of people think of other things first when thinking about Dolly, instead of thinking about her talents as a songwriter, singer and musician. But Dolly has remained true to her roots and to herself, and in recent years, she has begun to enjoy an elevated level of respect as an icon, a musician and an unbelievable person. But she’s been crushing it for a LONG time. No better example than 1974’s album “Jolene,” which includes the title track and “I Will Always Love You.” Perhaps you’ve heard of them? While the rest of the songs may not reach the level of those two, other tunes are elevated by Dolly’s lilting, east Tennessee voice, her ability to bring emotion to a story, and her songwriting prowess.

 

You can listen to Jolene by Dolly Parton on iTunes, Spotify, Tidal, YouTube, and Amazon, although it’s probably best on vinyl.

 

Boasting arguably the most famous midriff of the 1990s, Shania Twain rose out of Canada (and poverty) and reinvented country music and even the notion of what constitutes a female superstar. And she did it on her (and her producer-husband’s) terms. Her 1997 album, “Come On Over,” was a country and crossover tour de force, boasting eight singles including “Still the One,” “From This Moment On,” “Man! I Feel Like a Woman!” and “That Don’t Impress Me Much.” In doing so, Twain dominated a male-dominated industry, empowered a new generation of female country stars, and became the biggest-selling female solo artist of all time. Not bad for a girl from rural Ontario.

You can listen to Come On Over by Shania Twain on iTunes, Spotify, Tidal, YouTube, and Amazon. 

 

It was arguably the greatest gathering of musical talent in one place at one time — and still is. And it was INSANE. “We Are The World” brought the biggest American music stars of the 1980s* — and Dan Akroyd! — to one room to record a song shining a light on the plight of starving people in Africa. The song and the video was beamed incessently to the living rooms and kitchens of America. In the end, the song was inescapable at the time (if somewhat forgettable now); it raised some $68 million to help those impacted by drought and food shortages. But it also gave us a treasure trove of quirky, ridiculous stories that can only happen when you pack creative geniuses into one room — and ask them to follow orders.
*But not Prince or Madonna.

References in this Epipod:

You can buy or stream We Are The World by U.S.A. For Africa online at iTunes, Spotify, YouTube, and Amazon. 

 

It’s the classic “full creative control” story. Artist earns the respect (and the right) to do things as he wants. He goes against the grain to bring his vision to light. But upon hearing the final product, the record executives can’t believe it’s actually final. Sorry, bub. Creative control means creative control. And in this case, Willie Nelson’s 1975 album, “Red-Headed Stranger,” not only proved to be one of the most successful country albums of all time, but also one of the most successful — and celebrated — ALBUMS of all time. It’s a sparsely-produced, under-budget, concept album about a preacher that essentially goes on a killing spree. And it changed country music forever.

References in this Epipod:

You can buy or stream Red-Headed Stranger by Willie Nelson online at iTunes, Spotify, YouTube, and Amazon.